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Acknowledgments………………………………………………………………...1
Note on Transliteration and Translation……………………………………...5
Introduction……………………………………………………………………….7
Chapter 1. Orientation, Profile and Methodological Premises of the Study
1.1. What the research is about: aims, research questions, and
actuality of the study………………………………………………………….11
1.2. Orientation of the study, orientation of the researcher:
preliminary notes …………………………………………………………….14
1.3. Sources and methods of material collection……………………………..22
1.4. Narrative analysis, frame analysis, and ethnographic analysis…………..26
Chapter 2. The Research Field: Multiethnic, Multicultural, Nationalist
Daily L’viv
2.1. L’viv: an (un)usual borderline city………………………………….......33
2.2. The ‘most Ukrainian, least Sovietized’ city in Ukraine………………….36
2.3. Post-Soviet L’viv and the vicissitudes of the local,
the national and the glocal……………………………………………………39
Chapter 3. Subject under Scrutiny: Intelligentsia, Intellectuals and
Articulation of the Nation
3.1. Conceptualizations of the nexus intelligentsia/intellectuals……………..43
3.2. Class belongingness of intellectuals……………………………………..46
3.3. Bourdieu’s conceptualization of intellectuals as
cultural producers…………………………………………………………….48
3.4. The concept of intellectual field…………………………………………50
3.5. Intellectuals and the terrain of the ‘national’: mutual
articulation and contradictions………………………………………………..53
3.6. West Ukrainian intelligentsia and Ukrainian national
project(s) throughout history…………………………………………………55
3.7.West Ukrainian intelligentsia and the national mobilization
in independent Ukraine………………………………………………………62
Chapter 4. Theoretical Focal Points of the Study: Intellectuals and
Problematics of Culture, Nation, Power, Class and Generation
4.1. Culture as a ‘toolkit’. Human agency and actorship……………………..65
4.2. Power-culture link. Issue of ‘the national’ as a
component of cultural capital………………………………………………...68
4.3. Nationalism, class, culture: connections and refractions………………...71
4.4. Morality, intelligentsia’s mission and the project of
cultural nationalism…………………………………………………………...76
4.5. East-Central European intelligentsia and intellectuals
in quest for symbolic power…………………………………………………..78
4.6. The notion of generation and dialectics of continuity
and discontinuity of cultural production...........................................................84
Chapter 5. Incarnations of the Protagonist: Old Intelligentsia – New
Intelligentsia – Pseudo-intelligentsia – Non-intelligentsia
5.1. Ukrainian intelligentsia: not dead yet…………………………………....89
5.2. Intelligentsia in general and intelihenty in particular……………………92
5.3. Rigid boundaries and striving for elitism: the old
Galician intelligentsia and its descendants………………………………….103
5.4. Old boundaries redrawn: the case of the Soviet
intelligentsia………………………………………………………………...109
5.5. Defending the established boundaries: the post-Soviet
‘quasi-intelligentsia’ and the conflict of generations……………………….115
5.6. The boundaries questioned: what are we going to
(never) become?.............................................................................................118
5.7. Features of local specificity in the narrative
identities of Ukrainian intelligentsia in L’viv………………………………124
5.8. Structures of plot development evident in the
narratives of the informants………………………………………………....127
5.9. Summary…………………………………………………………..........131
Chapter 6. Between Kham and Knight: The L’viv Intelligentsia’s ‘Others’
and Alter Ego
6.1. Protagonist and antagonists: intelligentsia and its ‘others’…………….133
6.2.Turning a deaf ear to the intelligentsia’s rhetoric:
khamy above and below……………………………………………………..134
6.3. Intelligentsia and the powers that be: waiting for Knights...…………...138
6.4. Resisting the khamy: ghettoized intelihenty
versus politicking intelligentsia……………………………………………..142
6.5. Superiority and inferiority of cultural choices:
intelihent versus rahul’ and sovok……………………………………………….151
6.6. Antagonism of virtue and vice: intelihent versus blatnoi………………..160
6.7. Narod and intelligentsia as mirrored in youth cultures
in L’viv in the late 1990s and early 2000s……………...…………………..162
6.8. Summary………………………………………………………………..165
Chapter 7. Intelligentsia’s Spaces in L’viv
7.1. Where is intelligentsia? Space metaphors of ‘field’,
‘cityscape’, and ‘arena’……………………………………………………..167
7.2. Civil society and sites of autonomy…………………………………….168
7.3. Academic spaces and the domain of student life……………………….171
7.4. Theatre and other sites for art consumption……………………………182
7.5. Private and semi-private spheres for ‘companies’,
friends and acquaintances…………………………………………………...185
7.6. To the Carpathians!.................................................................................189
7.7. Public activities and organizations……………………………………..191
7.8. Media…………………………………………………………………...199
7.9. Summary………………………………………………………………..208
Chapter 8. Empowering Projects of the L’viv Intelligentsia and
Intellectuals after the End of Soviet Rule: Narratives about
L’viv’s Centrality and Peripherality
8.1. L’viv über alles ………………………………………………………...209
8.2. The tales of centrality: L’viv as a cultural metropolis
and the capital of the ‘Ukrainian Piedmont’………………………………...211
8.3 The tales of peripherality: charming province,
post-Soviet backwater or East-Central European Strasbourg?.......................221
8.4. Soviet L’viv: the power of the ‘counter-narrative’……………………..225
8.5. The ‘golden age’ and present-day dilemmas:
stories about the Habsburg past……………………………………………..237
8.6. Summary………………………………………………………………..242
Chapter 9. Empowering Projects of the L’viv Intelligentsia and
Intellectuals after the End of Soviet Rule: Narratives about
(Be)longing, Ambiguity and Cultural Colonization
9.1. ‘Galician project’……………………………………………………….245
9.2. Europe! Europe… Europe?.....................................................................254
9.3. What to do with multiculturality? ……………………………………...262
9.4. L’viv-Kyiv-Donets’k: quests for a common myth?.................................273
9.5. Summary………………………………………………………………..285
Conclusions. Intelligentsia in L’viv: The Power of Location and
Narration………………………………… .…………………………………..287
Appendix 1. Questionnaire…………………………………………………..295
Appendix 2. List of Informants………………………………………………297
Bibliography…………………………………………………………………...301
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